Jean Paul Sartres No Exit And Its Existentialist Themes Essays

Jean Paul Sartres No Exit And Its Existentialist Themes I would like to take this opportunity to discuss Jean Paul Sartres philosophy and its desegregation into his play No Exit. Embedded within the character interactions ar many Sartrean philosophical themes. Personal attributes serve to demonstrate some of the to a greater extent dominant ideas in Sartres writings. Each of the three characters in the play array identifiable characteristics of sexual perversion, bad faith, and interactions of consciousness.This play takes an interesting setting, that of the afterlife. The plot centers most three main characters, Joseph Garcin, Estelle Rigault and Inez Serrano. Hell, as portrayed in this work, is no to a greater extent than a room with three couches and Second Empire decorum. There be no mirrors, no windows, no books, generally no form of amusement. well-nigh very human privileges that we take for granted have also been taken away sleep, tears, and even momentary reprieves o f blinking. Each of the three characters is introduced into the room by a surprisingly polite Valet. Initial confrontations are uncomfortable, each(prenominal) person knowing that he/she is deceased, but they are not impolite. However, as the unfeigned reasons why each person has been sentenced to Hell are revealed, the true nature of the place takes shape. Rather than try to explain the chronological feeler of the play, I would rather take each character and their opinions individually in an attempt to highlight what I believe are the important parts. The number 1 person to appear in the play is Mr.Garcin. At first glance, he is a very polite, gentlemanly, and moral individual. However, the further into the play that we read, we find that he is n hotshot of these things. Instead, he represents some of the worst ails that afflict human large-minded (according to Sartre). He was graced with a wife that loved him unconditionally, and he loathed for no other reason. In fact, one th e first memories that he has of her is how she got on his nerves. There is one story that is obviously intended to shock the reader, and provide a tidy interpretation of Garcins true character. He statesWell heres something you can get your odontiasis into. I brought a half-caste girl to stay in our house. My wife slept up the stairs she must have heard - everything. She was an early riser and, as I and the girl stayed in bed late, she served us our... ...tolen away their ability to pixilated their eyes. There is no way to turn off the sinks Oaklander gives us a good description of the system, and how it applies to this situationRather it appears that the world has a kind of drain hole in the middle of its being and that it is perpetually satiny off through this hole. The universe, the flow, and the drain hole are all once again recovered, reapprehended, and fixed as an object. All this is there for me as a partial structure in the world, even though the total dissipation of the universe is involved. Moreover these disintegrations may often be contained within more narrow limits.. (Oaklander, pg. 284)In conclusion, Jean Paul Sartre takes less than fifty pages to materialize his existential philosopher ideas for the stage. He has given us interpretations of sexual desire, bad faith, and conscious interactions. As a note I truly believe that this play could be analyzed on an even deeper level. Each comment could be cut and applied to part of Sartres theory. However, this scope was limited to stay within the leaping of this paper. Works CitedSartre, Jean Paul. No Exit and Three Other Plays. 1944. NY vintage Books, 1989.